The silhouette at this time was a masculine one with flatter chests that were held down by specially made corsets. Bras weren’t about support as they are now, some were little more than camisoles, some women even went without bras in order to look more flat chested and breasts would therefore sit much lower down the chest wall as a result. Those with a more generous chest size would attempt to bandage their breasts down flat. The “Symington Side Lacer,” was a bra whose sole intention was to do just that. It was created so that both side could be pulled until the chest was flattened with lacing on both sides of the bra.
At 16, Kavita Donkersley started ‘She Wears Fashion’ but she admits that it was all a mess and she was just confused as any 16 year old would be. However, she kept at it, and discovered her love for fashion and travel with every passing year. And today, at 23, she has 56k (and growing) Instagram followers. Just with perseverance, a lot of hard work, and a little luck, she grew in the industry. She is associated with big brands, and is a guest at prestigious events like Coachella, etc.
Those college kids get to have all the fun fashions. Being away from parents (who do their laundry) and in a fashion-forward subculture, college kids wore sportier clothing, such as knit dresses, knee length knit suits, knit sweaters, knit vests, knit socks, knits gloves… knit knit knit! They were easy to wash. Cotton, linen, silk and rayon dresses, too, but knitwear was sportswear and sportswear was what every college kid was wearing. As for shoes, you guessed it, sporty two-tone Oxfords, straps, and pumps were in vogue, and flashy satin sandals were out. In winter, wearing a raccoon coat was high fashion!
Leopard wasn’t the only popular print for the Spring/Summer ’19 show season. Tartan also appeared on the streets of New York, London, Paris and Milan. Of course, in true fashion week style, the traditional print wasn’t worn subtly. It was donned all over in eye-catching colours by the fashion pack. Want to try the look for yourself? Pick up a tartan suit, jacket or pair of pants that features the classic pattern in unique and bold colours, such as red, blue, green and yellow.
Men wore hats out of the house just as the ladies did, although they were always taken off inside, which led to many men losing hats when placed on a community hat stand. Popular felt hats were the round bowler or derby hat, followed by the Homburg with a center crease in the crown. The felt fedora hat was a newer trend with a more casual appearance for the middle classes. Various other hat styles were shaped from felt or straw with rolled brims or tall crowns. A hat did not need to match a man’s suit but should not stand out either. Common colors were grey, black and brown wool felt.
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About this time every summer I receive a handful of requests for men’s vintage boating outfits. Sometimes these requests come from antique wooden boat owners who want to dress the year that matches their boat and other times they come from the general public planning to attend a vintage boat show. My local wooden boat … Read More about Mens Vintage Boating Outfits, Sailing Clothes
When you hear ‘casual’, you probably think ‘frumpy’; and the casual fashion style could really be ANYTHING but frumpy! Women who indulge in the casual fashion style don’t grab the exotic and bold items off the shelves. They would much rather prefer a simple white tee and a pair of black pants with a coordinating and trendy purse. The entire look is very modern and uncluttered with an extra touch of subtle elegance.
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It is all about showing off your best features. Let all the best things about your out there to get the attention of male. Mostly accompanied by heels, shorts or tight skirts, this style leaves the bare minimum for imagination. Exposure is to be at the maximum and as much as skin is shown. Tight fitting tops are chosen to show off the features like breasts and stomach. This is the type of fashion which is not every woman’s cup of tea. You got a lot of guts to pull off this one.
Speaking of which, it's also quite common for freelance fashion illustrators to sell prints and assorted art merchandise, whether handled and printed themselves or by a third party, in order to increase chances for a steadier income. It's, of course, entirely up to you if you wish to offer printed works of original pieces, but establishing the marketability of artwork is often a plus for freelancers.
Whatever the catalyst, fashion illustration is having 'a moment’. It has been fidgeting the industry for some time - perhaps since Nick Knight introduced Helen Downie’s Unskilled Worker into fashion's limelight two years ago, and it’s now truly kicking. Grace Coddington and Michael Robert’s GingerNutz story in our December issue - whose cover itself generated a multitude of illustrated versions that flooded the social channels - stands as definitive proof. The video of Coddington talking about it generated 10,000 views in its first twelve hours on YouTube, while Caroline Stein’s Instagram version of Pat McGrath’s LABS generated 100 likes-a-minute for the first hour it was live. People clearly like looking at it.
“Each girl’s wardrobe should contain an extra dress or two which can be worn to meals. At breakfast and lunch, the girls will of necessity wear the dresses they wear to class. At dinner time they should change into something different. They will find themselves fresher in appearance and will be more sociable if they take time to change clothes before the evening meal.” (Textiles and Clothing / by Elizabeth Sage.)
A picture tells a thousand stories and considering the noise that surrounds the launch of every issue of Vogue - endless hashtags and chatter about the cover model, photographer and pose, it seems inconceivable that covers in the past featured fashion illustrations elaborating far more detailed stories. The romance of images by John Ward and Carl Erickson, surrealism of Dali and Benito, and art deco of Bernard Boutet de Monvel, Georges Barbier and Harriet Meserole spun tales of arctic explorers; tennis players; bridal marches; world travellers; golfers; race drivers, actresses, mothers and lovers. In the days before photography became fashion’s key documenter, fashion illustration was just as emotive and colourful - if not more so - as the images burned onto our retinas more recently by Penn, Bailey, Day, Meisel and Mert & Marcus. Call to mind the images created by Rene Gruau as Dior’s artistic director in 1947 - there is no doubt as to the part illustration used to play in fashion storytelling.
She is the sister of Gianni Versace, and she has proven to be no lesser sibling. After the murder of Gianni in 1997, Donatella took over and has taken the Versace name to new heights. She made sure that Versace shops would cater to the different fashion centers around the world, particularly Milan and New York. Top celebrities like Jennifer Lopez and Madonna have endorsed the company’s collection of clothes, accessories, fragrances and home furnishings.
Some illustrators are hired for full-time, permanent positions, but many operate as independent freelancers who work on short-term contracts. An understanding of business concepts and a strong network of contacts can help fashion illustrators manage their freelance business and find work. To stand out in this field, illustrators need to polish their skills and develop a personal style.
We are eternally grateful to Mademoiselle Coco Chanel for so many definitive 1920s fashion styles, and some of the greatest sartorial inventions; the little black dress, skirt suit, costume jewellery, espadrilles… But her greatest, most overarching influence? The liberation of women’s clothing and the concept of casual chic in the 1920s. Chanel led the trend for a flatter, corset-free bust, a streamlined silhouette with no hyper-waistline and she popularised trousers for women. Next time you let it all hang out after a huge dinner, you can thank this woman.
Why you should follow: High fashion can sometimes seem like it's out of reach. While the likes of Chanel and Gucci will always hold a place in our hearts (and most bloggers' closets), sometimes it's great to know how to shop without spending a fortune. Alex Stedman of The Frugality constantly proves that the high street offers incredible pieces that look super expensive (such as this jumper from M&S).